Jul 112013
On Her Majesty’s Secret Service
James Bond goes undercover in the treacherous Swiss Alps in this action-packed epic filled with artillery-laden ski pursuits, incredible stunts and nonstop thrills! George Lazenby leaps into the role of Agent 007 with supreme confidence and undeniable charisma, even finding love with the beautiful and seductive Tracy Di Vicenzo (Diana Rigg). But first Bond must stop evil genius Blofeld (Telly Savalas) from releasing a germ warfare plot that could kill millions!Australian model George Lazenby too
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George Lazenby Is James Bond on this Essential DVD,
I would have to say that this is the best DVD of this latest round of release of the Bond films. The extras are certainly substantial and worth having.
My initial reaction to seeing this extraordinary film on its first release was summed up in one indelible question that I kept repeating over and over again to myself. If Sean Connery decided not to appear in a Bond film, why did it have to be this one? This film brought the series to a culmination of emotional fervor. It was the first film to address James Bond, the man. It seemed to have been made for Connery. This is the one we had been waiting for. I thought it was an excellent film, but Connery wasn’t in it. Yet, I also could not get the image of George Lazenby out of my head. He looked the part and there was something very unique about his facial features. Many critics said his performance was bland. Even if they were right Lazenby still possessed the physique and physical attributes that really fit the part and again his unique looks just added to the wordily and masculine aura he exuded. I went to see the film three more times. I really liked it. I missed Connery, but I still couldn’t get the screen image of Lazenby out of my head. I did some real self-analysis of this film over the next two years. I started to read the Fleming books. To my amazement they were very dry yet very interesting and appealing at the same time. Fleming single-handedly drew the reader into the world of James Bond whereas the filmmakers achieved the same result in a collective effort of talents. When I read “Dr. No” and “Thunderball” I visualized Sean Connery or someone vaguely familiar to him yet not with his sardonic humor. When I read “On Her Majesty’s Secret Service” I could visualize no one other than George Lazenby. As it turned out ON HER MAJESTY’S SECRET SERVICE is the one film closest to any Fleming novel of the same name. I began to see the merits of Lazenby. The filmmakers had gone out of their way to make this the epic Bond film. The introduction of Lazenby as Bond was a well thought out and well crafted piece of pure cinema. There is no dialogue and only the strains of the James Bond Theme in another innovative interpretation by John Barry are heard. Less dialogue is better. Let the images tell the story. In the case of George Lazenby that’s what worked best for him. Early on in the film he is having a bad night at the tables and you can see the disgust on his face as he deals out another loosing hand. He breaks into Gumpolt’s office and penetrates his safe with assuredness and conviction while under the clock. This well directed scene is nerve racking and suspenseful again played without dialogue. The editing, music and Lazenby’s presence make this another tour de force of pure cinema. It wasn’t until the release of DIAMONDS ARE FOREVER that I realized that ON HER MAJESTY’S SECRET SERVICE was the best Bond film for me. The combined efforts of all the filmmakers and Lazenby’s performance of a James Bond with conviction, assuredness and determination made this the definitive James Bond film. The film had a sense of real drive behind it accentuated by Lazenby’s no-nonsense approach and the urgency of John Barry’s instrumental theme used repeatedly to never let up the pace. If James Bond was ever the dedicated civil servant it was in this film. I can’t even imagine Sean Connery in this film any more. The filmmakers traded in Connery’s worldliness for Lazenby’s energetic determination. It seems apparent that Lazenby probably looked to DR. NO for inspiration. FROM RUSSIA WITH LOVE is considered to be one of the better Bond films in the series. It follows the directorial style of DR. NO. Sean Connery in FROM RUSSIA WITH LOVE continued his portrayal of the character in the Fleming literary mold, but refined his performance adding more depth to the character’s worldliness, intellect, social graces and wry humor. Lazenby reverts back to the James Bond we saw in DR. NO concentrating on his resoluteness and tenacity as the man with a mission who will not be deterred until the opposition is completely vanquished. Lazenby’s scenes with Diana Rigg as Tracy, his bride to be, showed genuine compassion and depth. This was Bond’s only true love interest up to that point in the series. Connery had showed genuine subdued sorrow tinged with anger at the death of Jill Masterson and her sister Tilly Masterson in GOLDFINGER and again with Aki in YOU ONLY LIVE TWICE. However, I don’t see how any actor could have given a better reaction as George Lazenby did to the death of James Bond’s new bride slumped over limply into his lap. George looked like he was really hurt as he buried his head onto the Tracy’s lifeless body. This Letterbox VHS version of ON HER MAJESTY’S SECRET SERVICE is excellent and does real justice to this epic film.
This DVD is astounding. The restoration of the visuals is amazing. The digital sound has been laboriously enhanced for true stereo…
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|Even Ian Fleming would have approved. . . .,
Many years ago, long before James Bond became the high-tech hero of the movie set, there were a set of fascinating books written by a gentleman named Ian Fleming. These books were about a superior British Intelligence agent, code name 007. With due regard to Sean Connery and the equally effective Timothy Dalton, George Lazenby, the star of On Her Majesty’s Secret Service, is by far the closest of the Bond actors to the character of the books. There is nothing charming or even particularly likeable about the James Bond of print. He is a totally non-descript character who can easily disappear into any crowd; a cold-blooded killer who will accomplish his mission regardless of the cost. Connery came close in Dr No, Tim Dalton even closer in License to Kill but both are too physically attractive to accurately depict 007. In these regards, Lazenby excels in his protrayal of Bond.
This story is a gripping, emotional tale of an agent committing the ultimate sin, getting involved with another individual involved in a mission. All of the normal Bond components are present; gadgetry, high-speed chases, lots of explosions and lots of pretty girls. This one goes one step farther, giving us a truly malevolent villain (played brilliantly by Telly Savalas)and Bond’s only true romantic interest (played equally brilliantly by Diana Rigg).
The action is non-stop, the locations are beautiful, the soundtrack one of the best. The climax is one of the most gut-wrenching ever placed on film.
On Her Majesty’s Secret Service has often been placed at the very bottom of the long list of James Bond vehicles. It doesn’t belong there. This is an outstanding film with a truly outstanding cast. Give it a try. You won’t be disappointed.
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|The Bond That’s Out Of Step With The Others,
When other Bond fans first talk to me the the question they always ask is “What do you think of O.H.M.S.S. ?”. The answer to that is not a simple one.
I first saw the film in the cinima in 1973 and was surprised, given all the negative reports I’d heard about it, how good it was. Although very long by Bond standards the film moves along at a fair clip and has the capacity to engage the viewer. Although several of the earlier films in the series follow the main plot lines from the novels, from which they take their names, this is the only atempt by EON to film an Ian Fleming book as written.
Watching the film on DVD all these years later was a joy. The transfer is surperb the, sound crisp and short of watching a pristine print in a film theatre this is the best vision of this film your ever going to see. The additional features particularly the director’s commentry make this a must for any of the many fans that this film has.
O.H.M.S.S has a tremendous “look” and the deep purple colour that is in the opening sequence, continues in the titles and is seen through out the rest of the film in various guises. There was a kind of chic fashion just at the end of the sixties after the hippies and before the seventies gave style a bad name; this is one of the few films that captures that time. Just look at the cut of James Bond’s suits or the dresses worn by the girls in Piz Gloria; it’s nostalgia perhaps but I love it!
George Lazenby is element of the film that most people seem to dislike and the fact that he started out as a model is usually sited as proof of his lack of acting ability; well actually Sean Connery started out as an art college life model. At least George kept his clothes on in the “Big Fry” ads. ! But seriously, for the most part he looks great in the action sequences and when he has to play the normal affable, laughing in the face of danger, side of Bond he’s at least acceptable; but when he has to step out side of that, for instance when he confronts Tracy in his hotel room early on in the film that he becomes less convincing. Compare that with Sean’s Bond when he confronts Tatiana in the train in “From Russia With Love” and you’ll see what I’m getting at. But actually his attempt is better than Roger Moore’s confrontation with Rosie in “Live And Let Die”. The only difficulty is that each line Lazenby speaks seems to be made up of several different takes, all recorded at different sound levels, which makes him sound as if he has a perminant attack of hiccups; still you do get used to it. If Lazenby lacks experience his deficiency is compenceted by the standard of acting from the rest of the cast and the superior dialogue in this film; for example, Moneypenny’s devastating put down when Bond attempts to resign the Service “What did you expect, a knighthood?” is unforgetable and one of the few times Lois Maxwell’s character gets the upper hand in the whole series.
The structure of this film is very different from the others in the series; Bond spends the first half of the film meeting and falling in love with Tracy. He then locates Blofeld, discovers his plan and only then does the film shift up into the frenetic pace that we more normally associate with the Bond films. The ski and car chase sequences that follow are terrifically exciting and compare favourably with the best in the series. Then we have the final confrontation with Blofeld and inevitable distruction of Piz Gloria. Incidentally Lazenby’s encounter with the St. Bernard dog after the bob sleigh chase was apparently ad-libbed and for an untrained actor he does it better than many RADA graduates I can think of.
Peter Hunt, more than anyone else, was the man brought this film together as a first time director it is a brilliant debut. For instance his choice of Simon Ravan to add dialoge to the scenes between Blofeld and Tracy lifts the whole film. Almost every shot seems to reflect his feel for the book. It is only fitting that the opening shot of the film, absent form the VHS version, which containes his reflection in the brass name plate of “Universal Exports” has been restored to this print.
Many action film fans dislike this picture well they’d better stick to “Things Keep Exploding III” which at least is better than “Things Keep Exploding II” although not as good as “Things Keep Exploding” although it lacks the characterization of the other two. The rest of us can enjoy the most literate of the James Bond films. It’s not better or worse than any of the others just different.
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